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Post by jack1982 on Apr 5, 2015 10:41:30 GMT -6
Haven't done one of these in a while. With another year's practice I might not be too bad POST YOUR IMPROV'S BELOW
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Post by Phil on Apr 5, 2015 13:15:00 GMT -6
Nice job, Jack. Maybe a tad long, but very well done. I've been reading a lot recently about the benefits of improvising for developing your ear. Looks like T-Bone was on to something all along. I've always been the guy who says, "I'll give that a try one of these days, but first I gotta learn all this other stuff." With that kind of thinking I'll never get around to improvising.
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Post by joachim on Apr 5, 2015 14:06:25 GMT -6
That was great, Jack! You keep raising the bar on the forum... In years time I might even be able to post an impro video.
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Post by jack1982 on Apr 5, 2015 14:30:32 GMT -6
Thanks so much guys! Phil, yeah I don't know why I left it so long, I should have just picked out a minute or so.
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Post by cunningr on Apr 5, 2015 14:57:47 GMT -6
Great job on that, you show true mastery of the patterns. Is that an Ibanez your playing this time?
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Post by Phil on Apr 5, 2015 15:09:28 GMT -6
Thanks so much guys! Phil, yeah I don't know why I left it so long, I should have just picked out a minute or so. I couldn't find fault with your playing so, being the grumpy old man that I am, I had to find something to bitch about.
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Post by blackcountrymick on Apr 5, 2015 15:42:47 GMT -6
Nice job Jack, was that all "on the fly" or some worked out sections joined together? I thought you kept the groove together well, nice use of the fretboard and different techniques. Some nice melodic phrasing in there also. Now you pick out the best bits and develop it and blow our socks off even more .
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Post by jack1982 on Apr 5, 2015 17:13:14 GMT -6
Phil - that's why we love ya man You're totally right though, it definitely goes on too long. Rich - thanks! Yeah that's my Ibanez RGT42BP that I put those Seymour Duncan 59's in a while ago. Mick - thanks! That's all just off the cuff. I manage to string a few runs together here and there. With improvising I guess my plan is that with a year more practice (okay, a decade more practice) the whole thing will be the best bits lol.
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Post by bluesbruce on Apr 5, 2015 19:01:43 GMT -6
Jack,
Cool improv - got a really spacy, new age kind of vibe going. Some tasty runs and licks over it. Thanks for sharing. I bet you're right, playing impromptu like that helps develop an ear for what works, what doesn't.
Bruce
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Post by cunningr on Apr 5, 2015 23:16:30 GMT -6
I like those 59's it was a toss up for me between the 59's and the pearlygates. Almost went 59 bridge pearly gate neck, any the tone is excellent.
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Post by blackcountrymick on Apr 6, 2015 0:54:26 GMT -6
I like those 59's it was a toss up for me between the 59's and the pearlygates. Almost went 59 bridge pearly gate neck, any the tone is excellent. I got pearly gates bridge and 59 neck in my tele.
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Post by jack1982 on Apr 6, 2015 5:38:33 GMT -6
Thanks Bruce! New age, eh? Hmmm...maybe I should get a pan flute? Yeah those '59s are pretty nice, I'm still trying to find what I'd call a great blues sound with it though - a real tube amp would probably be of great help there lol.
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Post by cunningr on Apr 6, 2015 9:50:05 GMT -6
Yeh love my blues jr, I just found a amplitude set up I love with my es. Fender dual reverb, compression into over drive, delay.
Now since this is an improv thread, I would be curious as the best way to practice improv? Is just find a nice backing track and start messing about or is there a way to be more structured?
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Post by jack1982 on Apr 6, 2015 12:07:22 GMT -6
Yeh love my blues jr, I just found a amplitude set up I love with my es. Fender dual reverb, compression into over drive, delay. Now since this is an improv thread, I would be curious as the best way to practice improv? Is just find a nice backing track and start messing about or is there a way to be more structured? Yeah that's pretty much what I do - go over to YouTube and type in "blues backing track" and you'll find a gazillion of them. They almost all say what key they're in so you can just find box 1 of pentatonic minor in that key and start jammin'. When you're first starting out it's easier to play over slow stuff of course, something like this: Pentatonic minor in A will sound great over that. You can figure out what the chords are and look at what notes are in in each one and try to use those as target notes to end your phrases on over the corresponding chord, or you can do it like I've always done it and just go by ear. Some notes sound good to end phrases on, some don't; your subconscious brain keeps track of that stuff and eventually (weeks, months, years...) you'll just naturally start hitting the ones that sound good more often and the ones that sound bad less often. The nice thing about blues is that it's almost always a I - IV - V progression, so it's basically like you're playing over the same chord progression all the time. Once you've developed an ear for what notes sound good over the I chord, then over the IV chord and V, you can jam over most songs without much problem.
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Post by cunningr on Apr 6, 2015 13:33:55 GMT -6
Thanks jack, I i have to figure out how to work something like this into my routine. I did 10 minutes of technical exercises this morning another 10 this evening along with 50 minutes working on blue sixths. I feel like my routine is a little stale, adding 10 minutes of improv would probably add some pop into the routin.
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