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Post by grampalerxst on Dec 29, 2019 7:29:48 GMT -6
Hey guys, this is something I typed up to organize my thoughts and hopefully goose my enthusiasm for 2020. Dunno that my musings are of interest or benefit to anyone here, and my "resolution" list for 2020 at the end is pretty short. I'd be interested to hear what anyone willing to chime in felt they accomplished over the last year or so, and what they look forward to in 2020. I know some bits and pieces showed up in a couple of the other recent threads, but thought maybe the topic deserved its own.
Looking back two years to 2018--that wasn't a great year for guitar playing due to some stressful, emotionally difficult family things. I started getting back into it during autumn of that year, so when I think "2019" the whole last 14 months or so is included. So, for 2019 ... Did I accomplish everything I set out to? No. Did I improve as much as had hoped. No. Am I improved over where I was in October 2018. I think it's fair to say, "Yes", to that. Did I enjoy my time with guitar-in-hand? Yes. And I guess that's the bottom line. For 2019 I went with a narrower approach than I have at times in the past. The centerpiece of my practice regimen was the first 16 bars of Electric Gypsy. It's the kind of thing I listen to and conclude that other than the speed of a few of the notes, that it should be something I could get under my hands readily. Bahahaha to that! That short bit of music exposed a lot of flaws, which is why I've stuck with it as long as I have. The theme contains a few of those legato-y double stops and triad thingys that Hendrix was known for (AT composed the piece after reading a bio of Hendrix called, predictably, Electric Gypsy). Those have bedeviled me since the first time I tried to learn some of the phrases in Lenny. I also found the single-note legato elements to be extremely challenging. Most of it is played on the inner four strings mid-neck, and all the variation in picking required to stitch together the legato, double-stops, and triads, was an order of magnitude beyond anything I had attempted before. Then there's the turnaround lick at the end of the third repeat of the theme. Fast and slinky. So by happenstance I picked "a hill I'm willing to die on" that posed a broad challenge physically and mentally. That's only partly excuse-making for slow progress--it really has been a difficult endeavor for me that's been a lot like Russian dolls. Becoming aware of and addressing some shortcoming tended to just reveal more shortcomings. What I've gained for the exercise (in no particular order): -Greatly improved ability to play with my eyes closed/mentally envisioning where my hands are and what they need to do. -Greatly improved ability to put my conscious focus on my right (picking) hand and control it's movements within those inner strings. Not only which string to hit when, but how hard/pick angle/up or down pick, etc.. In the past I always put a lot more focus on my fretting hand and just sort of let my picking hand follow along. -Certain of the LH movements required dexterity I didn't have at all, and now I have a nascent form of it (still a work in progress). -Related to that I discovered a shortcoming with how I used the first finger of my fretting hand. It's hard to describe but it was sort of like I used it as an axis or point of reference for locating my LH, and when it needed to move I tended to move my whole hand with it. With all the partial barres and legato I was struggling through, I had to increase its range of motion without affecting the rest of my hand, or disrupting what the other fingers were doing. Also a work in progress. Those last two posed real difficulties for me. To the extent that with my mentality even a couple of years ago, I would have abandoned the effort and taken up something easier, figuring some day if I practiced enough I'd be able to make all those movements. This time I attacked them directly, and most importantly for me, stuck with it through all the knuckle-popping and benign muscle/tendon soreness. I didn't always emphasize it in my blurbs in the weekly reviews, but up until the fall I continued to work with the early BYCU studies. This is true for EG as well, but one of the new wrinkles to 2019 was that I spent a long time playing along with recordings of the parts I was working on, usually slowed down via Tanscribe!, which I bought early in the process. The goal with that was to imitate the articulation and bend intonation of expert players, hopefully improving both my technique and my ear. Playing along with backing tracks had gotten a little stagnant. When autumn rolled around I temporarily got enthused with the Hendrix Little Wing style playing, and started noodling around and expanding (modestly) on the few movements in that vein I'd picked up, and wound up with three little etudes (could call them "songs" but that's giving them too much credit) that I inserted into my routine that ate into BYCU time. Late in the fall I made an impulsive decision to revisit that old "prog rock" thing I started back in 2002 and shared a couple years back, and team up with my metalcore drummer (and recording/mix engineer) son-in-law to try to make it the best I can make it at this point. He's trying to set up a side business aside from his work in his dad's studio to cater to smaller "vanity"-type projects, and to be supportive I signed on as a client. That's become a daily thing as well. Looking ahead to 2020 I probably won't change much initially. EG will still be in there, the BYCU studies will have a place. I'm going to try to get back in the habit of recording practice snapshots more frequently once the project with my SIL winds down. I'm also on the hunt for some legato exercises to help with left hand strength and dexterity. I'm having too much fun to make any big changes.So as far as resolutions I really only have one: keep at it.
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Post by joachim on Dec 29, 2019 11:32:57 GMT -6
Here is a summary of my practice during 2019.
I started out practicing improvisation over backing tracks almost daily, while working on MBYCU in parallel. The improvisation part got a little repetitive, though, because I found myself using the same licks or ideas over and over again.
Halfway through the year, practice time became sparse, and I settled for just practicing studies in MBYCU, as well as learning different songs I like by ear. That has worked reasonably well for me - learning songs by ear keeps getting easier, and I slowly incorporating ideas from those tunes into my own noodling. So that's something I will continue. And I enjoy just playing along with different songs I love, so I plan to continue working that way in 2020. I finished MBYCU, but I decided to go over the book again, and I am really glad I did, because now I am able to focus more on the music and less on the technical challenge.
So I don't have fixed goals for 2020 - I will just continue working out of MBYCU and learning different songs by ear.
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Post by Phil on Dec 29, 2019 11:56:50 GMT -6
Gramps, that "... play with my eyes closed/mentally envisioning where my hands are and what they need to do" is something I also have been doing this year. It's a fabulous way to work on internalizing something. I guess great minds think alike (and like to write long posts). I had 3 goals for 2019: 1. Finish the Mickey Baker book - I got thru lesson 43 of 52 lessons. 2. Learn a new song every month - I learned 9*. 3. Record myself monthly - ask Jack and Bruce about that. So, I came close to achieving 2 of my goals and a complete failure on the 3rd. Actually, that's better than most years. *Regarding "learning" a song: My original idea was that a song was "learned" when I memorized the chords and melody; had at a solo for least 1 chorus; and could play a simple chord melody. In actuality I memorized the chords/melody to all 9 songs but only learned a good solo and simple chord melody on 1. So, I really didn't come as close to my goal as it appears I did. My major accomplishment in 2019 was in learning how to get more movement in chord progressions by using inversions, substitutions, bass notes and approach chords. I had some major Aha! moments in this area. For 2020 I only have 2 firm goals.1. Learn a new song every month. 2. Develop a good solo for at least 6 of the songs I already know. With only 2 achievable goals I'm not setting myself up for failure like I typically do. I also have a short list "soft" goals - things I'd like to accomplish and focus on. Looking forward to hearing from the rest of you.
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Post by grampalerxst on Dec 31, 2019 5:05:52 GMT -6
Gramps, that "... play with my eyes closed/mentally envisioning where my hands are and what they need to do" is something I also have been doing this year. It's a fabulous way to work on internalizing something. I guess great minds think alike (and like to write long posts). ... I'll have to pay attention to that--haven't looked at it from the perspective of internalizing a piece of music (which is what I assume you were talking about it). I'm still operating a few steps upstream from that trying to improve and expand my basic mechanics. I'm working on a fairly limited set of material but when the day comes to expand to new stuff, I'll keep your observation in mind.
Seems like 2020 is the year of streamlining plans/goals.
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Post by jack1982 on Dec 31, 2019 8:41:12 GMT -6
Looking back at 2019 - well, it wasn't a good year, I was generally unmotivated and lazy. I did several of those "challenges" on another site, but despite the fact that they got me to put some hours in on the fretboard, I think I'd need to spend much more time on each subject to really absorb and learn to use each technique / concept; Maybe one month to learn it, another to practice it, and a lifetime to work on incorporating it into my own playing. Other than that, I'm fairly happy with the recording of "Landslide" that I did - the solo kind of sucked but the rhythm part was challenging and rewarding; when I really, really enjoy the sound of my practicing something, that's the best motivation of all. One of these days I should finish up the last verse and chorus of that Nirvana song 2020 - I really need to decide on a direction to go. Just brainstorming here, but I like to record cover songs, and I also like to feel as if I'm "progressing", i.e. learning something new. Maybe, just maybe, a good way to go would be to devote the year to studying David Gilmour; he's always been a huge favorite of mine, and I could learn some of his songs and really delve into his way of doing things. From analyzing "Minor Blues" in BYCU, which has always sounded very Gilmourish to me, to studying his chord progressions, the scales he uses, what notes he tends to favor over which chords, his technique, etc. That sounds like a worthy goal I could also learn how to use that Keeley Dark side pedal I bought, which is supposed to give me all those luscious Gilmour sounds. I guess I'll see if I can make it to the end of January before I go back to my "putzing around with whatever I feel like" routine.
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Post by jack1982 on Dec 31, 2019 8:42:25 GMT -6
For 2020 I only have 2 firm goals.1. Learn a new song every month. 2. Develop a good solo for at least 6 of the songs I already know. 3. Record myself monthly There - fixed that for ya
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Post by Phil on Dec 31, 2019 9:31:47 GMT -6
For 2020 I only have 2 firm goals.1. Learn a new song every month. 2. Develop a good solo for at least 6 of the songs I already know. 3. Record myself monthly There - fixed that for ya Nice try, Jack. For a minute I thought I wrote that. Have some respect for your elders.
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Post by grampalerxst on Dec 31, 2019 15:50:32 GMT -6
Just brainstorming here, but I like to record cover songs, and I also like to feel as if I'm "progressing", i.e. learning something new. Maybe, just maybe, a good way to go would be to devote the year to studying David Gilmour; he's always been a huge favorite of mine, and I could learn some of his songs and really delve into his way of doing things. From analyzing "Minor Blues" in BYCU, which has always sounded very Gilmourish to me, to studying his chord progressions, the scales he uses, what notes he tends to favor over which chords, his technique, etc. That sounds like a worthy goal I could also learn how to use that Keeley Dark side pedal I bought, which is supposed to give me all those luscious Gilmour sounds. I guess I'll see if I can make it to the end of January before I go back to my "putzing around with whatever I feel like" routine. You'll definitely need a new Strat with a "Gilmore switch" in it to go with the pedal. It's great when a study plan requires getting a new guitar.
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Post by jack1982 on Jan 1, 2020 10:07:28 GMT -6
Just brainstorming here, but I like to record cover songs, and I also like to feel as if I'm "progressing", i.e. learning something new. Maybe, just maybe, a good way to go would be to devote the year to studying David Gilmour; he's always been a huge favorite of mine, and I could learn some of his songs and really delve into his way of doing things. From analyzing "Minor Blues" in BYCU, which has always sounded very Gilmourish to me, to studying his chord progressions, the scales he uses, what notes he tends to favor over which chords, his technique, etc. That sounds like a worthy goal I could also learn how to use that Keeley Dark side pedal I bought, which is supposed to give me all those luscious Gilmour sounds. I guess I'll see if I can make it to the end of January before I go back to my "putzing around with whatever I feel like" routine. You'll definitely need a new Strat with a "Gilmore switch" in it to go with the pedal. It's great when a study plan requires getting a new guitar. Oh jeez I spent so much at Christmas I don't even want to think about buying anything else But, having said that...EMG does make a David Gilmour loaded pickguard, which has pickups they made back in '79 and the front tone control is replaced with a bass and treble boost for a bit of a scooped mids sound, and the rear tone is a bass boost / treble cut, to make a single coil sound more like a humbucker. And if one were to install that on a nice black MIM Strat with a maple fingerboard, well you know it would be marginally affordable and, I mean, it's pretty much needed if you're going to play Pink Floyd stuff
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